目的 研究中国古典园林借景理法，对借景原理在书籍装帧中的应用深入分析。方法 通过对优秀书籍设计案例中狭义和广义的借景运用手段进行分类研究，深入分析借景理论在园林和书籍设计中运用的异同，并进行概括。结论 借景理法虽然是中国古典园林设计的最高理论依据，但是同样适用于书籍设计等平面设计领域，将“借景无由，触情俱是”运用到书籍设计中，从而为书籍设计提供一定的设计思路和理论依据。

It aims to study the Chinese classical gardens view borrowing, and make in-depth analysis the application of view borrowing in book design. Through the classification of narrow and broad view borrowing means, it makes in-depth analysis of the similarities and differences of view borrowing in gardens and book design. Although view borrowing is the maximum theoretical basis of Chinese classical garden design, but it is also applied to books design, graphic design, makes the "view borrowing no reason, by touch feeling all is" applied to the book design, to provide a theoretical basis for design ideas and design books.